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 Post subject: Broken Lines
PostPosted: Sat Mar 31, 2018 9:48 pm 
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Joined: Tue Jun 21, 2011 6:27 pm
Posts: 1207
Location: Southeast Michigan
Sex: Male
Are you a published author?: No
Age: 24 Feb 1987
In poetry written to a definite meter, poets occasionally, as a poetic device, break a line's "feet" among what one might call multiple "logical" lines. Most of the examples I can think of, other than one of my own poems, are in Shakespeare's plays, such as the beginning of the famous "All the World's a Stage" speech (which begins with those words after another character has just uttered a partial line of two and a half iambs). (I also remember encountering the device fairly often in e. e. cummings.)

There's two things about this device that I was hoping another reader might be able to help me with:

First, is there a name for this device? All I could think of was "enjambment," which is actually the opposite, when a "logical" line has too many feet and "spills over the bar" into the next line.

Second, can anyone think of any examples that don't involve multiple speakers or a stanza break between the two halves of a line, and are in the public domain? (I'm working on a blog-post tutorial about typesetting poetry, and I don't want to infringe on anyone's copyright, but I want to cover typesetting poetry using this device before I get into multiple-stanza poems.)

For more general discussion, though, have any other Holy Worlder poets used this device? I think I've only ever used it the once (so far), but I can easily imagine doing so again if a poem came to a similar circumstance.

_________________
Originally inspired to write by reading C.S. Lewis, but can be as perfectionist as Tolkien or as obscure as Charles Williams.

Author of A Year in Verse, a self-published illustrated collection of poetry: available in paperback and on Kindle.

My blog includes the following "departments":
  • Background on the Shine Cycle, my planned fantasy series, spanning over two centuries of an imagined world's history, several universes (including various alternate histories and our own future), and the stories of dozens of characters (many from our world).
  • Strategic Primer, a strategy game I'm developing, played by email, assisted by programs I'm developing. The current campaign (moving slowly, less than one turn a month) always needs more players.
  • My poetry.
  • Miscellaneous essays.


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